Nii Tettey Tetteh & The KUSUN ENSEMBLE

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free track: Nokoko  

samples: JAH - Bawa - Ga Highlife - Wegwan

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Photo and Design: © Gabby Marshall

NOKOKO

...the most recent CD from Nii Tettey Tetteh & The Kusun Ensemble takes the group on a new journey of sound.

Nii Tettey Tetteh explains: "Nokoko is a Ga word meaning 'something, something.' By blending our typical traditional Ghanaian rhythms with subtle jazz rhythms, this took me to a different world that I haven't been to before. I looked around and said, 'This is Nokoko!"

Composed and arranged by Nii Tettey Tetteh,"NOKOKO" is a dramatic fusion of electrifying jazz, African and traditional rhythms that has resulted in the production of authentic sounds and rhythms. NOKOKO also combines the exuberance of highlife with the complexity of African jazz to create music that exposes the capabilities of loud African drums. Indeed, the CD exposes the ability of indigenous instruments in the playing soft and slow moving tunes. The eleven track CD which has lyrics in a number of Ghanaian languages boasts of a new version of highlife that incorporates traditional instruments like Bells, Shakers, "Kpanlogo" and "Gome" drums with lead and bass guitars.

_ Tettey w/ aslatuas
. . . aslatuas or 'kashakas'
OMANYE

OMANYE

...one for the lovers of drums and those infectious African rhythms. This CD definitely does not disappoint.
Nii Tettey Tetteh is one of the most talented African musicians to have performed and recorded on these shores.

I received the CD "Omanye", recorded with the band "The Kusun Ensemble" a few months back now, and was waiting for the opportunity to feature it here. Part of the CD was recorded in Ghana, and it features well known Australian percussionist Ray Pereira.

The CD displays the complex polyrhythms West African music is renowned for. Missing is the influence of Western pop, but I am sure that people who insist on the purity of traditional music will not complain. The well executed rhythms, produced by a variety of percussive instruments, are complimented by traditional vocal harmonies.

Nii Tettey Tetteh has been trying for some time now to establish a school for traditional music in dance in Ghana, but found it difficult to obtain either corporate financial backing or even government funding. With other musicians he worked in night clubs in Ghana, Togo and Benin, and organised tours to the UK and Australia to try and realise this dream. After organising a study tour to Ghana from Australia recently, the Kusun School finally began to take shape. The Kusun Ensemble performing on this CD is the group he put together to teach and perform for the school.

The CD therefore brings together quite a number of very talented artists. Featured on the recording are Yaw Asumadu, Nii Afotey, Tuza, Ataa Ado, Larkotey Oscar, Kwakye, Ayie, Anim ,Sister, Adei and Love.

- Reviewed by Christo van Rensburg
© 2003 all rights reserved

Kusun Ensemble_

Music is second nature in Africa. It is deeply interconnected to just about every aspect of daily life. At work, music is one of the tools used to get the job done. Many jobs are physically demanding, and the music provides a driving force, as well as enhances cooperation and productivity.

When it comes to cooking, music is one of the ingredients. Rhythm is used while stirring, beating or pounding the ingredients to their proper texture. Singing is also a regular part of preparing every meal.

When it comes to games, music is one of the toys. Many African games are based in rhythm, dance and song. Clapping, stomping, jumping and dance is a common element of children's games found in Africa. Before going out for team sports, you will find song and rhythm in the locker rooms, building their team morale.

The Aslatua (aka aslato, kashaka, etc) is an example of a toy played with by West African children. It is made of two dried seeds from the aslatua tree, a small rope connecting the seeds, and filled with small stones to enhance the sound. The aslatua is played in the hands in various styles for fun, challenge and rhythmic music. example

When it comes to healing, music plays a part in the cure. The Wolomor (High Priest) whom people go to for medical council, uses drumming, dancing and songs in a ritual to create healing. In addition to music used for rituals, many of us know through our own experience the uplifting and healing qualities music can have on our body and mind.

We have Africa to thank for bringing so much music and culture to America and the world over the years.

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NOKOKO CD (2003) OMANYE CD (2002)

North America - $15 (USD)
NOKOKO CD
OMANYE CD

World Wide - $18 (USD)
NOKOKO CD
OMANYE CD

Prices include S&H

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